I’ve been playing a lot with this recently, but I guess there is no way to have predictable results in your retriggered notes unless you dial in your LFO frequency perfectly. For example, I’m trying to have a trig retrigger 3 times within the span of one 16th note (retrig settings are len 1/16 and rate 1/40). I set the LFO to modulate the tune, with the intent of having those 3 retrigs sound the pitches “E, D, C” every time the pattern plays. If I use the “HLD” LFO mode, the pitch of the retriggered notes do indeed change, but every time the pattern repeats the pitches are different. . If I use the LFO in “TRG” mode, the retrigger pitches are the same each loop, but they don’t actually change in pitch, just have a kind of gliding effect on each note.
The closest I’ve gotten is using the HLD mode, and setting the speed of the LFO to a multiple of 4, so that it is exactly the size of one bar/loop. This allows the pitch of the retriggers to change, and also be consistent, but it is difficult to dial in. Changes to the start phase do not have any effect while the loop is playing, so you have to stop and start your loop again to hear the change. The best way to then dial it in is to change the depth, either positive or negative, and keep listening. Pretty difficult to get exactly “E, D, C”, but close enough considering it’s meant to be more of percussive part than a melodic or harmonic one. It is very important to lock the LFO.T parameter to “on” on whatever trig you want this effect on, otherwise the changes on that trig’s retriggers are not consistent every time.
Hopefully this was useful to someone, or maybe just confusing. If people have other workarounds please share. I’d like to try the nudged trigless lock after the retriggered trig, but it also sounds difficult to dial in predictably.