Hi,
I’m wondering if I can take the output from a synth with stereo out and send that into two different Octatracks.
I’ve found a cable that splits a single mono or into two. If I got two of those cables and ran those from the stereo outs to the inputs of two Octatracks making sure that both Octatracks had a left and right - would that work?
I’m considering doing it with a digitone.
Cheers,
An
Yes I believe that would work just fine, curious as to what you’re doing with the dual Octa’s?
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Depending on the way you split the signals, there could be insertion loss (ie loss of output volume). Using a small mixer or a dedicated splitter box might be a better idea. But indeed do give it a try! Cables are pretty inexpensive.
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Well . . .
I’ve got two Octatracks connected to my Allen and Heath DB4. I have the main and cue of OT1 going to channel 1 and 2 and OT2 mains and cue going to channels 3 and 4.
That’s me out of channels so any external synth would have to come through the Octatracks. However, I can only afford one synth and like the look of the digitone. But I don’t want to commit it to one of the Octatracks. I want the audio into whichever one I want without having to move cables.
I’m going to treat each Octatrack as separate decks that I can bounce between and overlap.
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That can be interesting, but I would definitely save OTs inputs for other purposes, and rather plug OT1 in OT2 or/and OT2 in OT1. I would concentrate on 1 OT to octatrackize the synth, with already 2 stereo outputs available.
At the moment I’m having fun with a little monotimbral 8 voices Micromonsta and OT, it almost can sound multitimbral !
I send CCs to mix oscs 1/2 sub noise levels.
As I usually use all midi and audio tracks even with one monotimbral synth, I totally understand having 2 OTs ! 
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Yeah, I get where you’re coming from but with the DB4 I can put dune great effects on the channels from the Octatracks and, the way I separate the main and cues on both, blend, affect and mix things as I perform.
That’s the idea anyway.