I will say that if the Midi-Ox macro workaround listed in that thread (on program change send a stop signal, send the program change, send the start signal) or any of the other ‘set up a macro on an external box’ is as tight as song mode on the most heavy tracks and the micro controller can keep up. If that is the case then I question why having a toggle to perform the exact same actions in the box on program change should take longer/be unfeasible.
There are many ifs there and I’m sure Elektron want a solution that works as close to 100% of the time as possible e.g. sequences running at 300BPM at 2x speed with retrigs and moving between patterns on program change is still seamless as song mode without hitches.
Though It could be argued that giving people the option of such if it makes performing with other gear easier.
Edit. Thinking about it it’s all about the length of the error the user wants to tolerate. A few MS at the start of a pattern during a switch vs timing being out by an entire bar.
Quite apart from the LFO fix, I would also welcome a ping pong loop (I presume that’s what’s meant here) as a way to simply go to ping pong without needing 2 LFOs as described above.
@ThomasJ Just making sure the above bug report does not get lost in the shuffle of people making feature requests for ping pong playback in the bug report thread.
Actually that is not a bug - it works like that on all machines. FUNC for snap values (on any parameter) are not used when holding a Trig in GRID REC. But feel free to submit a feature request
TUNE
Tune sets the pitch of the sample. The knob works in a bipolar fashion, and a value of 0 leaves the pitch unchanged. The range is +/- 5 octaves. Press and hold [FUNC], and then turn the DATA ENTRY knob to snap parameter values to full octaves. Press and turn the DATA ENTRY knob to snap parameter values to semitones.
and pressing and turning still snaps to semitones when setting a trig.
i think there’s a bug in the compressor routing page.
I wanted to have a pumping sidechain listening to the kick and snare, but when i set the sidechain source to ‘not’ comp, it listens to the full mix as sidechain input, so every channel, regardless of whether it is in the compressor mix or not.
In the case 'not’comp, i was expecting the sidechain source to be all the tracks not being routed to the compressor, and not the ones that are sent to it.
Is this a choice or a bug? both have uses, but ideally in the next update, the options would be ‘comp’, ‘not comp’, mix, and then track1, track2, etc.
Found answer to my own question, midi controller was doing this every time i connect Dt2 via OB to my pc.
I just needed to turn off program changes in midi settings on dt2, and all is good now. For people who might experience the same.
So not a bug
Is anyone having an issue with USB audio going out to an iPhone from digitakt ii? I had no issues using usb audio from the digitakt in my videos before but can’t seem to get it working post update.
Slices do trigger by midi notes C1 and up (ie, C1 trigs slice 1, C#1 triggers slice 2 etc) but triggering a different slice from the previously triggered slice takes an additional note on/off event than it should.
Example: C1=Sl1, D1=Sl1, D1=Sl3, C1=Sl3, C1=Sl1
I’m on FW version 1.15A
Same outcome with midi over OB, midi over usb(without OB), direct DIN connection.
Same outcome triggering with Arturia keystep and Launchpad Pro MK3.
Retrig settings (trig page 2) are not carried over when copy/pasting a track
Reproduction
On firmware version 1.15A, copy / paste a track that has custom retrig settings (trig page 2). Observe that the destination track’s retrig settings are different to that of the source track’s.
Expected Behavior
Destination track’s retrig page settings equal those of the source track’s