This is how I work too. Sometimes the hardest part is choosing a take, because I could just record take after take after take and all of them have standout bits and happy accidents so it’s always hard to pick a favorite. That’s one thing I really like about these challenges, they force me to choose one and go with it.
I really didn’t notice the mixing on your track being that off; I thought it was perfectly fine (maybe it’s because my Sony headphones overhype the bass on everything anyway). I did think some of the high-end vocal sounds at the end were a little too harsh, though with this genre it’s always hard to tell if that’s intentional.
My only other feedback on yours is that I think the middle section (3:00 to 3:30 or so) could be cut by a few bars. I really love when the bass comes in at 1:35 or so.
@rosiusyves and @KingDuppy I really appreciate the effort you put into your tracks. From my experience with dawless jams I can only congratulate you to your results. I’m not an expert in setting up overbridge, but is it possible to mix single channels afterwards?
I don’t really use Overbridge, actually. I use it sometimes to see what I’m doing with a filter or LFO, but I never use it to record because I like to record a lot of takes, so multitracking the DT would eat up too much disk space.
Instead I usually record the stereo outs of the DT to two tracks. Less disk space and less decisions to make later.
Are you using OB in standalone mode, or as a setup with a DAW?