Thanks man! Appreciated 
1 Like
A two parts edit from the same Patch/take.
Buchla Easel V (Arturia)
8 Likes
grime with easel 
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Thanks !
I’m so glad i’ve finally started to study it.
Playing with a real one must be incredible.
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I haven’t heard anything like this made with the real one. Very good!
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Got to play with a friend’s KARP 2600. Made a drone for the drone challenge (filter droning), but then also patched a Oscillator to modulate the filter (in addition to going to the VCA). So when you play the keyboard it plays the note but also changes the filter’s drone. Going through a CXM in lo-fi mode. Do the world need another reverb drenched ambient thing, maybe not - but it sounded good. Pop at the beginning is the spring reverb as I switch the 2600 on.
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Nice. The delays on the Lyra-8 is wonderful, isn’t it?
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They are! I want fine tuners on those knobs, though. I have to sit there blowing gently on them, or maybe brushing them with a camel’s hair brush with only three hairs remaining on it.
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A single Digitone operator, detuned to 0Hz, with high feedback. Random LFO modulating the harmonics parameter.
Credit to @Akio_Daku for discovering this behaviour.
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digitakt scramz
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Good one. Didn’t know about that little gem in the box.
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Building from last post.
Melody : Super 6
Drums : Rytm
Pads : Hydra
Bass : Sirin
Additional Color : Heat (Round Fuzz)
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My attempt to control my Behringer Neutron
Digitakt: mostly drums, and bass
Model: Cycles: bit of percussion, some melodic notes and chords
Microkorg: the pad in the background
Neutron: trying to not make it scream too much as the lead(?)
5 Likes
kick: Minitaur
piano: Arturia piano v2
strings-like sound: Qu-bit Surface
I’m playing the piano (poorly and mostly improvised) with the Hermod filtering the chords (to be left as is) while adding some random notes based on my right hand (one track goes to the piano/kontakt markI and another one goes to the Qu-bit). ad lib vocals.
7 Likes
I will say it again : playing with the real thing must be a trip.
Buchla Easel V (Arturia)
6 Likes
Trying to slim down my Doom metal with synths setup for a gig on Thursday.
So I’m now running my Polivoks through my BAM (set fairly short and only about 20% wet, but a fair bit of input gain), then into my A4 as oscillators 1 (L input) and 2 (R input) on track one, also a little bit through the ext. in, but only using the send effects subtly on the oscillators. Track two of the A4 is just there for a few high harmonics, you’d barely know it was there but it’s doing a job.
Then it’s going through the Heat, on saturation with everything pretty much set to 11.
So what you’re hearing is 95% Polivoks and all the different ways it’s being processed.
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Have fun! From what I’ve heard the audience will be in for a treat / won’t know what hit them! Really impressive stuff, doom metal with synths indeed!
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Cheers.
It’s funny, I spent buttloads of money on Eurorack gear and justified it to myself because I was convinced I couldn’t make these kinds of sounds any other way. Turns out I can do it better with gear that cost me less than half as much.
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Where are you playing on Thursday?
Just a 15 minute slot at an open mic night in Leicester.
I’ve oversold it to be honest calling it a gig.
7 Likes