Thanks mate! Yes I think both stabs are stock OT samples (they might be mine, I’d have to double check) - using a filter and delay on each as a seperate tracks. I had a bassline on the Rytm but didn’t use it in the end.
I love these kinds of sounds and textures, glad you appreciated it! It’s actually a Geiger counter sample off the OT with a nice pingy filter and yea that dark reverb is just made for these kinds of sounds. The Rytm reverb is even better I think for these really dank cavernous vibes.
messing with the eventide h90 and cv. i’m out of channels on my mixer, been returning the h90 through the syntakt’s inputs. put a little of it’s low pass filter on it.
if you have the Suite check out the Inspired by Nature | Ableton pack, there’s a Vector FM m4l instrument there and it’s the king of fm blips and bloops, there are some other cool things in this pack
It’s all max, apart from the reverbs (Valhalla supermassive) and a bit of Arturia’s filter MS-20 here and there.
It’s just four drum tracks (all 4op FM voices), an 8op FM voice and a bunch of saw, sine and triangle waves fading in and out in a harmonic series with bottom F as the fundamental.
I’ve made it sound way more complicated than it is.
My “Opsix is so amazing whaaat” jam. The Opsix is my kosmischer Yamaha VL1!
[put a bit soothe2 on that to tame a few rather loud frequencies.]
some more Opsix snippets:
My “I want to like my Digitakt again” jam. I’ve used wavetables for everything, including the percussion (kicks, snare, hihats). The wavetables are taken from https://waveeditonline.com/ and I’ve used LFOs to either sweep through them or just in small random amounts to make the percussion sound more ‘natural’, especially the kick since it has quite some retrigs.
