Recording preferences are your friend. Set recording length to 64 to record 4 bars, or set it to max and adjust the length in the memory config menu to make 8 bars, 16 bars, or whatever recordings. In the memory config menu, you set a recording length in seconds, but it also displays the amount of trigs that these seconds correspond to. Due to rounding to integers in the choice of seconds, you have to choose an appropriate tempo. My usual choice is 128 for this kind of operations. I have a project with pattern and all settings prepared, but no samples chosen, which I first save to another location when creating a chain. In this case, you don’t have to delete the samples from the flex slots when you want to create another chain. Adding samples to slots is a quick procedure, when they are contained in the same folder or just a few folders.

Creating standard sample chains in the OT is straight-forward, but it might be faster on a computer. Things change, however, when you record modulations/p-locks/etc into your chains, as you seem to be doing… Then it’s still not as fast as on a computer, but you make use of the OT’s impressive sound-sculpting and modulation capabilities.

My favorite choice on the computer, btw, is renoise! There you can set up a standard pattern which applies to all sample chains, but you just replace the samples in the sample manager. drag in other samples, and they get placed in patterns as previously defined. you can also add modulations. This corresponds to replacing Flex Slots in the OT as described above, except that it’s easier to scroll/click through folders.

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