Clickup Machines

notvsketch · 2018-02-26T18:50:23.262Z

Hi all, so I’m recording a bass synth pattern via pickup machine, i’ve set the fade in and fade out to the smallest setting as possible, yet when the pattern repeats, the sample bass synth pattern i recorded via pickup machine hiccups.

when i press play it starts just fine but once the pattern repeats, the sample hiccups.

any suggestions?

thank you

darenager · 2018-02-26T20:04:30.937Z

When using pickup machines the fade out parameter acts on the start of the recording, so if you have a short fade out this would explain the problem. On regular recorders the fade out is applied at the end.

Soham · 2018-05-25T12:46:11.235Z

Hi Elektronauts!
I have two doubts:

1- Has anyone found any stable solution, to make continuous environment loops with the PUM without using flex machines? (without clicks, hiccups, pops)

2-In the case of using a flex as a destination of the PUM, with start points and plocks to create a kind of fade, is it a stable solution with which to get continuous environment loops without clicks, pops, hiccups?

I have tried everything that is discussed in this thread (except the flex), and the only thing that really works is sometimes the overdub, but 50% of the times, it is a lottery. To use it as a live instrument, I lopping a keyboardist, I need a stable method of making continuous live loops without noise, but for the moment I have not found it. Is it possible or is a bug or lack of the OT by the moment?

Soham · 2018-05-27T09:13:35.931Z

Well, after doing a lot of tests, I think that @wolfgangschaltung and @sezare56 were right when they said a few posts back that you had to start from the silence, at least to make continuous environmental sounds / drones.
My conclusion is that recording buffers do not like to have any signals when they start recording. If so, make noises, clicks, pops, hiccups, … and the Overdub Do not take it away!
But if you start to record in silence and then you go up the volume of your recorder buffer source and overdub while you go down, you get a seamless loop, continuous, that overlaps well.
if you cut it when finished it also happens, there will also be clicks.

100% of the tests have gone well doing so. In my case the configuration has been:
-Track1 with Pickup, inputs -, SRC3 = CUE, fades = 0, Qrec and Qplay = Off, Len = Max. Pickup without FX, Attack = 0.
-Track2 with Thru machine, input (where you have your instrument), Cue activated.
-Settings of memory, without reserved memory and dynamic assignment ON.
-Select the track1, open the Mixer, press Rec AB, then in the mixer raise the CUE from -64 to the desired volume. Press Rec AB (with One2) to enter Overdub and start decreasing the Cue in the mixer until you reach -64. Press Rec CD. The loop will not have noises.

Regards,

Supercolor_T-120 · 2018-05-27T15:23:37.684Z

I talked about my experience with this way earlier in the thread but starting from silence in overdub seems to fit with what I was noticing, too. I WAS able to make it click with absolutely no audio someing in pretty consistently maybe 1 time in 5 but almost never on the first attempt after powering up, and once there was a click it seemed to actually get pushed lower in level with consecutive overdub passes until after a few passes the click would basically be gone. For me once I experienced a click on a particular track, that track would always click whenever I cleared the pickup machine buffer and started a new loop, unless I power cycled the ot, but as long as it stayed in overdub no new clicks would develop. So starting from silence and then staying in overdub from then on seems like a good approach to me.

sezare56 · 2018-05-27T17:51:46.694Z

Tip if you recorded a good loop without clicks and hesitate to add layers : you can save and assign to self.
Then you’ll be able to reload the saved sample if you record clicks.
Kind of undo.

Soham · 2018-05-27T20:36:06.158Z

Good tip @sezare56 , you can use to undo layers with interpretation errors, even if they don’t have clicks
I can’t reproduce what @Supercolor_T-120 says. I try to record silence, with and without connections in AB CD, but I haven’t managed to produce clicks.

Supercolor_T-120 · 2018-05-30T17:26:39.567Z

It was a year ago that I did all my experiments so I left out a key part: I was never able to get it to click on silence after booting the OT up unless I got it to click with audio I put once first. So try this:

Power up the OT.
Record a loop in a PUM. If it doesn’t click, clear the loop and try again. You don’t need to have audio sustained across the loop, when I was doing it I was just hitting a few random pads on a drum machine but actually looping on silence between the drums. After 4 or 5 tries or less it would click.

Once you get a clicking loop with audio inout, THEN you should be able to get it to click with no input at all. clear the PUM’s record buffer, unplug all the cables from the inputs, raise the gate threshold in the recording setup all the way up to make sure no self-noise is getting through, and then record a new loop in the PUM. It should click. Maybe not on the first try although for me it was. save your recording, open it in an audio editor on a computer and look at it, you should have a file that’s all digital black until the last millisecond or so, where there will be a little burst of DC right before the end of the file.

If you scroll up this thread I posted a more detailed description back April or May of 2017.

tri_minh · 2019-01-02T07:24:09.388Z

I found this link and i am trying very hard to know why there are click in live sampling? I am using the piano (acoustic into the pickup) and there are click noise at either end of sampling or beginning and so hard for me to use it…can someone help?

sezare56 · 2019-01-02T09:26:44.667Z

Try fade in / out with minimum values
REC SET UP 2, FIN / FOUT

tri_minh · 2019-01-02T18:08:47.273Z

hello…i have tried…it is still having this annoying click which making my live sampling unseable…

Open_Mike · 2019-01-02T18:27:21.794Z

Rarely, but a few times, I’ve had a click creep in that wouldn’t go away. Once it was there it stuck around and I’d hear it on every recording after that even if recording silence. To get rid of it I had to reload project (maybe clear slot in the audio editor attributes for that recorder buffer slot worked, can’t remember). If you know you have saved your project recently and won’t lose anything, try reloading the project.

If your worried you’ll lose stuff if you reload, try recording silence and see if you get a click, if you do you’ve found my rare “creeped in click” bug. Next try recording silence on a new project, hopefully no click there…

Supercolor_T-120 · 2019-01-02T20:19:36.074Z

I forget what thread I posted about it in but I’ve been able to make it click with no input signal at all (no cables plugged in, gate threshold all the way up to get rid of any self noise from the analog stage of the input). There’s actually a little burst of noise getting inserted at the loop point sometimes.

It won’t happen that way on a fresh boot, but if I get a click under normal looping circumstances I can disconnect all of the cables, clear the record buffer, and turn the gate up so that I’m recording digital black and the click will still happen on the new loop. Has to be happening in software.

Open_Mike · 2019-01-02T20:34:25.618Z

Yeah that sounds like what’s happened to me a few times… Project reload worked for me, I had it saved in a good spot when the click was not present…

Haven’t deduced when it creeps in, but if it does it stays around, even when recording silence…

sezare56 · 2019-01-02T21:05:44.195Z

Best workaround : sample the click and use it as metronome.

I prefer to record noise instead of silence!

Yeah, Ot is clicky. Fade in / out crossdade implementation is bad, I never had that kind of problems with Boss RC loopers. If you want to record soft pads with overdub it can be really anoying.

With 2 tracks and 2 recorders I succeeded to make recording with efficient fades, and no clicks. A bit boring to set up, but it worked. I don’t use that trick but I still have the project if anybody interested.

It really pissed me off at first, but now it doesn’t bother me that much, as I prefer to have OT realtime mangling possibilities and do weird stuff with recorders + flex. Amp Atk +1 helps, eventually minimum Hold and 126 Rel.

Anyway in live conditions I’d use something a sequenced recording with several rec trigs + Flex wirh +1 Atk, and it would cover clicks.

dizzy · 2019-04-16T11:27:42.706Z

xidnpnlss:

Olle:

The diagram is correct and is how the OT behaves. It can not predict the future so a fade out will happen when you stop the recording not before you stop it.

This is super annoying tbh. If I have RLEN set surely it knows when the recording will end?

Olle · 2019-04-16T14:43:20.810Z

dizzy:

This is super annoying tbh

I think we all can agree on that. But this is how the Octatrack works and that will in this case not change.

Supercolor_T-120 · 2020-05-26T20:43:27.713Z

I picked up a Morningstar MC-6 about a month ago and have been using pickup machines a LOT since then - 4-6 of them at a time with multiple sources, in 3-5 hours a week of online live collaboration with a few people plus practicing on my own, and I haven’t had a single click, even if I start recording during the middle of a sustaining sound, there aren’t clicks as long as I use the minimum fin and fout values. Same parameters I always used back when I was getting clicks even with no input, same firmware, only difference is that I’m using a footswitch now. Weird.

sezare56 · 2020-05-26T23:16:42.795Z

Supercolor_T-120:

footswitch

I guess OT is more tolerant with people using their feet?

Supercolor_T-120 · 2020-05-27T23:20:30.644Z

I think it’s probably that the way it affected my workflow means I’m more likely to record a cycle of silence before I start playing.