Thank you. Means a lot to me.
Everything but the drums and two delay effects.
I am away from the project and made those tracks a while ago, but all the tracks on this EP used random events triggered on notes. Since this is FM, there was a lot of subtle changes going on just with the different operators, but I also used those note on random triggers to change different depths of effect sends. Bitwig was the sequencer, and so I could also route note events to send effects and send levels. The synth side is usually 4 or 6 op setup like a subtractive, so three OSC with ine modulator for each. I may have used some operator modes, but usually I just use sines. On one of the delays I modulated the delay time to create pitch shifts which were filtered with a bandpass, where I tried to tune the cutoff to grab the frequencies I liked. Those echos were sent to a reverb and different degrees of those effects were sent to another delay. There probably were some LFOs on the sends as well to add some more variations. Instead of using the built in feedback, I set feedback to 0 and used the track to return the effect back to itself.
Each aux/send/fx track was routed back to a mixer channel, and I “mixed” it down there since I can’t do much on the actual fx track because of the feedback routing.
I then just jam on mutes and adjust levels recording it live.