Spend some time watching tutorials on recording external and resampling internal audio- it took me a while to figure it out (not for lack of trying).
The key is recorder trigs and arming the trig/track for recording and loading the recording to playback on another track- and knowing the proper setting in the record menu
PARTS=SEQUENCE changes that will sync up. Don’t think of them as anything more than that (keep your sample assignments where they are from part to part unless removing a sample and introducing another).
Become familiar with copying your first part to two other parts- one to alter and compose with, and one to leave alone (I copy to part 4 then save my project If/when I get to the 4th part)- I’ve accidentally destroyed part 1 beyond repair thinking I was working on part 2 or part 3 too many times to count.
Scenes will change your the way you think about making music. Put in the time. Try every parameter individually (+64 to -64) on scene A an B and see what it does then figure out sweet spots for your type of music by decreasing the difference between A and B.
Be mindful of how the OT saves scenes and get in the habit of putting the same types of FX/Timestretch/Whatver in the same slots so you aren’t fumbling around looking for the right scene.
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