As mentioned, not much to make an tutorial of in that sense as it would pretty much need an overall tutorial fully covering most (if not all) features in the OT. As working with the Arranger will base upon what you do (or don´t) know or learn about patterns, parts, crossfader and playback settings etc among others. They all gives you a lot of possibilities AND limitations at the same time.
IOW, it can lead to some nifty ideas OR just plain confusion…
I e:
A tracks playback setting (if set to auto or loop), will be muted in the Arranger if it´s starting as muted. But it won´t mute again if/when unmuted. Since that´s when the Playback setting overrides the Arrangers control.
Crossfader, is also something that can be quite a source of confusion. Since you´re able to set what supposedly will be in Scene A/B in each row in the Arranger (which in itself is quite an powerful feature). But remember that the crossfader are always in top priority too, which means that if you´ve programmed an Arranger structure based on that either Scene A/B will be the one active, you will have to (manually) make sure that the crossfaders position isn´t somewhere towards the opposite side when that row plays.
An easy way out of it in specific rows, is that you set the same patterns in both Scene A/B, that would render the crossfader “disconnected”. But you would still need to have it in the physically correct position for the next coming rows if you start programming different patterns into scene A/B.
There´s probably a quite few others things that I haven´t mentioned that will also have its impact on the Arranger and its (or lack of) control in certain situations.
However, when you are aware of them you can start use them to your advance in other situations.
Programming rows with certain steps of the pattern repeating can i e, be used as having it sounding as the full pattern. But the specific trigs inside/outside that step lenght repeating, will have its affect of how this repeating section plays. Which will sound as an variation of that full pattern. Use that with the abovementioned crossfader example, and yeah you´ll soon reach another layer of complexity.
There´s a lot of possibilities in the Arranger, but it´s still limited and totally dependent on the rest of the features/settings you´re using. What will fit you, is probably just an trial and error procedure you´ll need to take.