ARP pattern transition trick

plebeyo · 2013-10-08T19:16:37.000Z

Thanks for sharing this, void, really impressive.

I’ll die for make some “cheesy” tunes like the ones you’ve used in your tutorial…

Ihatederekreed · 2013-10-08T20:45:15.000Z

Really great video. Pretty inspiring stuff. Thanks.

iromeku · 2013-10-09T05:19:40.000Z

THAT is awesome.

void · 2013-10-09T11:53:07.000Z

cheers guys

anyone playing around with this? Seems to me the endless-arp can be used for a variety of nifty tricks…

vst · 2013-10-09T12:58:04.000Z

Nice! Thanks VOID!

chad · 2013-10-15T17:15:57.000Z

Just catching your video and tutorial late. I wanted to login and say thanks for sharing this tutorial. Really amazing sounding demo as well. I’m looking forward to trying out this technique.

PS - sick A4 modded faceplate

void · 2013-10-15T17:22:02.000Z

thanks

OHEXOH · 2013-10-25T14:01:21.000Z

Wow. What a great tip.

TrondC · 2013-10-26T10:25:30.000Z

That was insane. I’ve so much fun just using the A4 in a not-so-exploring way but this is a whole new lever of awesome. I haven’t even toched the arps yet (shoot me) but let’s just say that I’m gonna change that right now

vargasz · 2013-10-26T23:23:48.000Z

great trick i was thinking about how to change pattern, but keep some things the same!
awesome that you figured out

void · 2013-10-27T11:27:26.000Z

an idea i just had with this…
don’t have my A4 here at the moment to play with this…

making a polyrhythmic pattern (INF length…) which is filled up with p-locked & sound-locked trigs (INF trig length), various sounds, various arp settings per track & per trig (where possible… i.e. no2-4 params)… not every trig shall have a trig, rests can be useful too…

this pattern shall serve as a sort of “lottery tumbler”…

then, in a different pattern (the main playing pattern), trig mutes are used as outlined above…a quick pattern switch to the “tumbler pattern” and back to the other pattern should then “grab” arpeggios from te tumbler, more or less by chance… the polyrhythm and DIRECT JUMP mode should ensure that it’s not so easy to predict what kind of sound you’ll end up with (not sure if the thing with polyrhythm actually helps in this case)…

kind of like in the video I posted above, at the beginning this is happening with the 16th hihat arpeggio, but there it was planned, I knew that the hihat arpeggio is trigged on step 1 of track 2. so this would be kind of like this, but more random/chancey, involving all steps and all tracks… could be interesting, dunno…

sicijk · 2013-11-14T21:52:12.000Z

Big Love!

thanks Dude!

cant wait to have asap A4 here

raskjaerbo · 2013-12-21T02:01:51.000Z

Haha, great idea. Have to try this tomorrow morning!

Thanks for sharing

funkymogli · 2015-01-20T21:47:05.000Z

this video sold the a4 to me

biologik · 2015-01-20T22:53:17.000Z

holy crap.
thanks for bumping this thread from 2013. this was before I had an A4

that trick is phenomenal!!!

Naboo · 2015-01-20T23:41:33.000Z

Brilliant. Cheers Void.

caligears · 2015-01-24T19:53:58.000Z

Thanks Void, for not only giving us ‘just the tip’, …but video too.

(“See what I did there? Hello? Is this mic on”)

Anyways, just post giving thanks!!!

djenzyme · 2015-01-26T00:47:34.000Z

Thanks for this awesome tip. I’m still a noob at this but i just tried this trick and it has opened up a whole new avenue of possibilities!

Cunningly devious, or maybe deviously cunning!

djenzyme · 2015-01-27T15:58:49.000Z

I had to test this in midi mode on the OT… and it worked!

With this in mind i’m wondering whether these machines were designed to work like this or whether its a happy accident?

damondarkwalker · 2015-01-27T19:48:42.000Z

Amazing! Thank you so much.