like I said, the Jomox is the closest comparison. since it uses analog synthesis, runs samples through VCA/VCF’s, and can store parameter values per step. but if you’re used to Elektron OS’s, you’ll be sorely disappointed/frustrated (or downright pissed off) working with a Jomox box.
Vermona is great but different sound for sure. much simpler and more raw sounding. and no parameter locking per step. hell, you can’t even control the parameters via CC. the most you get is accent via velocity.
This video shows what you can do with a single a4 track:
The a4 is amazing for drums
still the workflow for drums on the AR is great, in my opinion. Not to speak of scene and performance page - where you can excessively change all your sounds and run wild experiments on them. These alone are worth purchasing an AR
Bro it’s got a master overdrive and compressor. Just crank those bad boys to the max and you’ve got an instant Dave Friedman drum explosion sound. In fact I’ve thought about reamping drums through the rytm… That would be very fun.
edit: I own my rhythm mk1 for about 5 years now, never had an issue running low on ram or the 1GB drive. You have to put some thoughts into it of course, it‘s not the Octa. Different purpose, different limitations.
Originally I thought the Rytm synth engines sounded a bit meh, but then I heard the excellent AR808 sounds.
This inspired me to work a bit harder on the synthesis side. My preference is now to use synth over samples for kick, snare, rim, clap, hats. Open hat I layer with a sample, and same or cymb/rides.
As for alternatives, Jomox sounds are so sweet, but people’s experience with the unit quality and software keeps me away.
Yeah, sampling and internal resampling, but also the mk2 has two CV/expression inputs, a bigger screen and some additional performance controls (the quick performance knob that lets you “fade” multiple performance macros).
In addition to what others have said, people complain about the Mk1 pads. I do find they’re a bit stiff, but they still respond to velocity and aftertouch really well. I can’t compare them to mk2 as I’ve never felt those. They kind of feel like mpc pads to me. Actually maybe a bit less stiff than mpc.
I owned the Tempest. It’s beautiful, sounds amazing and it is also basically a 6 voice polysynth.
I sold mine as although amazing, it was kinda felt to me like it was ‘just a drum machine’.
I bought a Rytm Mkii with the money and LOVE it.
The analog element of the Tempest sounds better than the Rytm IMHO but overall I prefer the Rytm BY FAR. The engines with the samples are the sweet spot (rather than just the analog) but then add the Rytm’s sequencer… its stoopendously good.
My advice, if you can get a Tempest for the price of a Rytm is get the Tempest and if you don’t like it sell it and buy the Rytm.