Yes. But the machine is limited by some arbitrary design choices, and handbook is directly from hell, even more the one for the Nemo, that is the worst manual for any instrument I have ever seen.
I haven’t worked much with the Octopus, because I never owned one, but I’ve had a Nemo for quite some time, and while these machines do some things quite well, they are pretty limited by today’s standards (e.g. there’s only a single MIDI CC per track, but those can’t be modulated). The fact that you are pretty much on your own with a shitty manual, the odd way of naming some things (“hyperstep”, FFS) and the lack of a display (which forces you to remember so many things or constantly have the manual ready) makes for unnecessarily slow learning.
Some things are limited in an totally arbitrary way, and things that one thinks should work just don’t due to a weird way of implementing things (like you can’t transpose a track with another track, you can just transpose a step that starts at the exact same time the step in the transposing track starts, because any inter-track modulations are sent exactly on the beat and won’t affect shuffled steps, even if source step is shuffled, too). If you are into generative things that only affect pitch, velocity and note start/length, then it’s maybe worth a shot.
The octopus is easier to learn, because the UI is less crammed (more buttons mean single-function controls, and you can see and change all parameters of a page, track or step at the same time), but it shares the exact same limitations. Which is sad, because both could have been really great machines. Ah, well…
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