Analog Solutions AS500 - SEQ

AS500-Seq Key Features:

True analogue step sequencers using CV pot’s not encoders.
Analogue CV circuits.
Hand built in Great Britain.
Massive 64 steps (series mode) or 2 x 32 steps (2 channel parallel mode)
2 CV outputs with Range and Glide (Portamento)
4 Gate outs (2 per channel)
Jump and Reset – activate from MIDI note, Push Button and external Gate
Fill In and clock divide modes for variation
Compatible with Eurorack and most analogue synths with CV/Gate input
Voltage controlled clock
Many options for sequence control
Solid steel and aluminium construction
High quality sealed potentiometers, sturdy switches.
Unique LED matrix style tear drop raining LEDs

Almost identical re-boot of our legendary Megacity sequencer.
Smaller form factor, Desktop design Some general over enhancements, internal improvements.
Note: This version is pure analogue and does not feature a quantiser or MIDI.
More info: AS500-Seq — Analogue Solutions

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Gord bless ya, guvnor!

From the looks of this beaut, there must be a lot of knobs in ol Blighty!

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No MIDI no game for me though.

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Nice! That is a beautiful analog sequencer! Tom has been making some crazy things recently. :slight_smile:

Another demo.

Description from the comments :

Here’s AS500-SEQ in action with a vintage synthesizer (ARP Odyssey). In this video, the AS500-SEQ is the master clock, sending gate and CV to the Odyssey and the CV clock to the Arturia DrumBrute.

The sequencer controls All tempo information, as does the STOP/START functionality.

The X/Y/JUMP switches are activated live, changing up the single sequence. CV is also being sent into the Odyssey’s PEDAL input switch for subtle sequence changes.

You can hear the AS500-SEQ’s GLIDE in action as well.

The Arturia DrumBrute’s output is being fed into the Odyssey’s External Input.

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Interesting wiring. Cool that you can introduce new columns as the song progresses.

Here’s the AS500-SEQ along with the Ample Synthesizer :

Analogue Solutions will be at Knobcon ( thread ) later this week.

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