Hey capaxton, after you setup your guitar thru an A4 track for filter, envelope and distortion fun, try adding dry signal with the FX inputs on top of that. You end up with a type of parallel processing which lets you drive the shit out of the distortion/saturation, filter res and fx and still maintain the attack/transients of the guitar, great for percussion, clear and punchy yet heavily distorted, instant glory :stuck_out_tongue_winking_eye: