may be okay to design patches on Note with iPad and then move them over in the meantime.
it seems like the note and move are diverging more and more – move has the sample slice that is missing in note and now note has a fully featured synth.
hope there are plans to converge at some point in the future – maybe for a 2.0 update next year?
I understand it, but finishing tracks is hard.
So maybe just enjoy the music making process, even if the tracks don’t get finished.
Whether that is via a Move or another device, that is your choice.
Just wishing Move in controller mode could browse presets in Live or randomly pick the starting points for us. Just wishing 
100%!
I deleted instagram and the yt app since January.
I even unsubscribed YouTube premium and stopped tracking and getting recommended videos.
getting burned out of your own passion is the worst and those two things played a big role in my case.
just my take on that.
For me, Move is an incredible compact controller for Ableton when using my laptop away from my bigger setup, but not something I get much mileage out of otherwise. If it wasn’t a great controller I’d have sold it months ago. I start lots of ideas on it, but I haven’t finished - or felt the need to finish - a single one of them.
It appears all my cords except 1 (the best quality one) have stopped working. Must be something to do with changes in 1.6 it must draw more power or something?!
Where the Move is unbeatable for its price range is that it takes full potency of Live’s sampler timestretch : you can transform any sound (in C) into a polyphonic instrument sampler with lossless quality . it blows me
Ableton Touch - coming soon
Actually, the Move’s melodic sampler doesn’t use timestretching. It just does a very basic repitching.
Also sampler doesn‘t timestretch…
Did someone manage to send midi out over the USB A port to an sp404 MK2 via a USB A to USB C Cable? I do receive midi from sp but can’t send midi to it. I checked all settings and should be set up correctly.
Edit: found the comment above about using a usb A to midi adapter, which i luckily had lying around. Works fine now, but requires multiple cables etc. 
Also, i was planing to use the move as a sequencer for my sp, but the note off command from the usb to midi adapter seems to have some delay, which resulted in some pads not being triggered on the sp, while they were on the move. Overall rather fiddly.
I have to respectfully disagree. Since Move is a drum sampler, instrument sampler, and multitrack sequencer I say Move can be used for any kind of music.
Import your own sounds and off you go.
Has anyone tried controlling the track volumes and mutes over Midi?
I have hooked up the launchpad pro and can play notes but would be good to control some other things.
It does even that kind of poorly since it adds some annoying aliasing when you pitch down.
I seemingly have incurable GAS when it comes to battery powered portable grooveboxes, so here I go again…
Anyone using the Move standalone to make complete tracks without plugging it into Live?
I get that this is pitched somewhere between a groovebox and a “sketchpad” (whatever that means), but anyone using it as a pure groovebox?
I get that there’s no song mode, and in order to get something resembling a full song down, you’d be recording the mix output and jamming using the session mode. Anyone trying that?
you have the gist of it, there’s really no secret going around here: move is designed to take your initial impulses are far as it can be expected to go. But does it take you to the finished line? Club sound system ready? Streaming music platform ready? Playback for a performer ready?
Few folks are then “plugging it into live” It makes for a pretty good controller. But if you are passing the baton to live, you are likely applying techniques outside the scope of move.
It makes for a fine groove box, I think. And there are plenty folks leveraging session view on it. But remember, there are plenty other pro features in outboard gear that makes an elektron device, for example, a stage-ready performance piece of kit. I’m not saying it cannot be done on Move. I’m saying that I don’t think it’s the primary user case
This may be contentious. But personally, I don’t think I’ve found any battery powered groovebox that doesn’t need the track to be finished in a DAW.
For jammin’ Move is ok, but not as good as good as my Novation Circuit tracks & rhythm combo.
To get a finished track with the least amount of friction after the initial composition, Move wins hands down.
I think this is another way of phrasing my question, for quite a while now all my “full track” production has been done as essentially a live performance, with an audience of zero and my 1010 BlueBox or OT capturing the result. (Look don’t judge it works for me)
If the Move isn’t aimed at that performative approach like so much Elektron gear is, and Roland to a lesser extent- I can see it being a miss for me
Super reply thanks
I would agree, until the Dirtywave M-8 came along and it’s changed everything for me.
It has the per instrument EQ, master EQ and limiter, ability to render down a full song on device, an absolutely killer song mode, and to round it off it off - it almost always sounds punchy and great
Hey, wait a minute… so why the f*** am I looking at the Move at all? Bloody GAS demons, begone!