Man that’s one unfortunate camera angle – can’t see what else it’s plugged in to. Also kinda weird settings on Dataline’s MS-20… he has the LPF almost all the way up, which means controlling it with the CV shouldn’t do much.

Anyway, what I’d do is drop both filters of the 20 to zero, connect CV A and B into the filters, set their modes to Linear/5V, and set the bottom dials of the filters to 10, and use the values of the CV bits to control the filters. Then you can use the envelope/LFO on the CV track to control them.

Actually playing sequences involves hooking up CV C to the Keyboard In of the 20 and setting it to Hz/V (see the manual here, and make sure it’s the most recent manual as the procedure recently changed). Set CV D to trigger (and V-Trig if I remember right), and plug it into the TRIG IN input. Use the MS-20’s envelope to control the amplitude.

If you’re willing to sacrifice one of the A4’s tracks, a cool thing you can do is set the pitch to play off say Track 4, then use the CV tracks sequencer to trigger the envelopes. You can get cool transients this way since you don’t have to trigger the filters with every note. I’ve been doing this with a Moogerfooger low pass pedal and it’s been great.

I’ll test this on my own 20 tonight or tomorrow to confirm, but this should work.