Yeah, I sold mine yonks back and was soooo tempted by your £400 offer. Mad but true. You can do really really long envelopes on it, start a sequence and hear them fade in over a very long time. Not many software envelopes have such nice fade-ins and a good range of decay shapes. For me, I guess a good envelope has a range starting from snappy for sequence and percussion material to languid and swooshy - i.e. capable of all the articulations loved by synth players for decades. I’m in favour of building on the good things from the past, too old to give all that up anyway.
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