Sorry, I am working on dub techno and lofi house tracks
Because it’s awesome and a lot of fun and currently one of the best ways to get that fat 3-oscillator analogue bass sound without paying too much money.
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I like it, you right. But I do not need sequencer…
Maybe you have some of them ?
What’s the potential of Analog rytm for Basslines ?
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Thanks !
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I have a 15u modular system and one of those modules is Clouds. That’s about it from your list. I have a Boutique JU-06 but don’t use it at the moment. I’m not sure what to advise but I would say Clouds does not lend itself particularly to ‘conventional’ forms of music like dub techno. I suppose it can be good for creating washes of ambience here and there, but it’s a bit hard to rein in sometimes and does sound very digital. It’s no kind of workhorse. As far as dub techo goes, if you can buy a Space Echo in good condition, you’re heading in the right direction. One thing I would recommend against is that Boss pedal that claims to be a Space Echo clone, because it’s rubbish.
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If by lofi house you mean LIES Records type stuff, then you want vintage analogue gear, or good approximations of it.
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Don’t get a re201 if you are planning on getting a time factor. The time factor covers that ground, and way more on top of that!
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Hahaha brilliant!
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I’ve a similar setup. so you’ve got poly with the A4, n plenty of beats n some very usable delays n reverb in there too. I’d be looking for a real nice monosynth or some saturation.
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It’s a great pedal, but is only good at one thing. For more bang for buck and a great emulation of the re2, 1, the zoom ms-70cdr is well wroth checking out.
Covers all your delay and reverb needs, and has filters, compressors, chorus, bit reduction, and limiters.
But to answer your question - it would go very well with the A4!
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You rate the RE-201? Interesting. I think it sounds extremely weak and plastic-y, but to each their own.
Haha nah, I said it’s good at the one thing it does, and that is being digital pedal that tries to emulate a classic tape delay!
I lusted after one for ages, and it lasted three months before I realised I really wanted the original. I agree with the plastic sound statement. And the reverb is the most pointless thing ever. I have a little plastic Beringher reverb pedal that is better than the verb on that thing!
And it’s well over priced. If it was half the price it would still be at the top of the price range I’d pay for that pedal.
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Now that’s more like the kind of shit I like to hear poured on the RE-201.
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Ha! I think my original response was too subtle. But I also hate to tell someone that the thing they want is a bit pony, because I’m not them and I don’t know what they really want
But yeah, it’s a piece of crapola.
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I’m a happy owner of the RE-20, bought it cheap from a pawn shop. It doesn’t sound nearly as good as the original, but still has a certain vibe that I like to layer into my tracks.
The fact that it can run off batteries makes it a great companion for my OP-1.
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Yeah, I also have an re 20 and think it’s great, obviously it’s not an original but did any of you ever hear an original in person? To compare what the re 20 is like?
It’s a cool pedal!
But I also have a dd 500 and if I were to choose only one I would choose that over the re 20 or the eventide.
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