Use of Analog Heat in a live setting

Hi guys,

I have an Analog heat and I’m very happy with it as a processor in my production workflow, it really has a good versatility to bring the best out of sounds, like thump in drums, saturation in pads, sound design in flat sounding sounds ect…

How would you use it in a live setting, would you just process the whole settup through it as the last piece of the mix chain or would you process only certain aspects of the set up through it?

3 posts were merged into an existing topic: Where do you have your heat in your signal chain?