While in the menu with the list of encoders, rotating then pressing the encoder you want to put macros on, it gets immediately selected and accessed =)
About which kind of setup are you most interested in?
I think here we are in a too vast field where all depends from the starting material (the type of patch and use you need of it)
Anyway, I usually have 1 or 2 knobs dedicated to Filtering and FX sending, or for creating a break overdriving the Delay or long decaying for Reverb.
Also, for the main sound (I usually have one) I use 2-3 knobs for changing in a ārecallableā way some important parameters like the 2 filters or LFO on volume to let it pulsate, plus some decorations.
Or to octave shift the oscillators.
One important rule of thumb, for me, is to dedicate usual sounds to the same track numbersā¦(e.g. Bass on T1 - Lead on T2 - Fx on T3 - Percussive on T4)
This way, you can have a Performance configuration easier to recall by copying it from a sort-of default Kit.
I am speaking here about main Macroās destinationsā¦of course you should tailor, each time new sounds get introduced, the modulations happening to themā¦