Agree with you. It all is not that obvious.
First of all, what would be “better” out of those two scenarios is quite clear to me, as I mentioned I’m not a collector or synth trader who is looking for a profit. I have no intention to gain money, but just consider to get some granular gear instead of Mescaline, something that I would definitely use more at present moment for ongoing recordings. The only reason why I asked this question here is that I want to test the waters and decide if I want to keep it “that” much, and if I really could get what I believe I need for the price of it.
And I really want to keep it : )
Since I’ve seen it for the first time, it was instant feeling that it’s not just a sound tool to get certain result (let’s say a track or a bunch of experimental loops for a sampler ), but more a kind of concept that need to be experienced. And it won’t be an easy experience, it’s obviously not “plug and play” machine, you have to tune it, find tripots on the back, find your balance with options, learn how to overcome some imperfections (there are quite few ), find your way thru all the wired details, fight with crazy small patch cords and at the end this all is what the Mescaline is: a kind of trip with elements of electronic music, weird interface design and special artistic vision behind it.
I consider Arius Blaze (and all the Folktek crew ) as more artists than synth company, they consistently build machines with a very certain sonic qualities and interfaces, quite useless for “normal“ music production, but instead with very special vibe and their own place in this world. It’s definitely something that I respect, support and simply like.
Time with Mescaline for me usually looks like this: take it out of the box in the middle of a sleepless night, put it all together, slowly spend hours patching and tuning with tea breaks and finally maybe having it playing in the background while reading a book till sunrise (and yeah it could be generative enough to live his own life ). I like the unique texture of the sound itself, raw and organic, but definitely not frightful.
As for passive appreciation, well, I think this is also the case. Maybe as soon as years or decades will pass by ( I’m more than 20 years in electronic music so I know how this happens : ) it would very nice to get it out of the box and show to someone or just experience it again. Hopefully it can survive those decades as the build quality is let’s say questionable : )
So this all together for me represents its value and definitely more than just another modern sampler or… well, I hope I explained the idea, and what is even nicer- clarified something for myself : )