IMO there is much less variation between different filters when used statically, the only variables are slope, resonance and whether or not there is compensation, frequency response and gain, so assuming a test between filters with similar characteristics then you are much less likely to notice much difference.
As mentioned earlier by others the response of a filter to modulation, input gain, output gain, linearity or lack of, resonance gain and compensation or lack of, and circuit topology are the main things to consider.
Particularly modulation response and type can really make a filter come to life, without getting too weird I think of it like a tickle response, and some filters are much more ticklish than others around the cutoff frequency, especially when the resonance is higher.
The number of poles can also be a significant factor in how a filter affects a signal, and more isn’t always necessarily better here, I modified my SH-101 to have from 1 to 4 poles and with just 1 pole it sounded really nice, I ended up selling it to a rather well known artist who went on to say it was one of his favourite synths, and this guy has a lot of synths!
I guess I’m kind of a filter fanatic, but I have very specific tastes and technically perfect filters (or more correctly those that are closest to perfect) tend to bore me, I’d take character with flaws any day.